Writing Exchange

Doctor Brewand speaking of hashtags (I'm still trying to figure this social media thing out) I'm going to start using <a href="https://nerdculture.de/tags/TheIrrealists" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheIrrealists</a> to mark posts as part of public exchange of how to use <a href="https://nerdculture.de/tags/ExperimentalWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ExperimentalWriting</a> to break up repressive social structures (in the mode of Kathy Acker <a href="https://nerdculture.de/tags/KathyAcker" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#KathyAcker</a> & William S. Burroughs <a href="https://nerdculture.de/tags/WilliamSBurroughs" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WilliamSBurroughs</a>) ... and othersfor more context see the essay by Kathleen Wheeler I posted earlier this week, here it is again<a href="https://dalkeyarchive.substack.com/p/reading-kathy-acker" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://dalkeyarchive.substack.com/p/reading-kathy-acker</a>One of my experimental writing & publication projects is <a href="https://nerdculture.de/tags/NovaLetters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#NovaLetters</a> , here's an example of a "deeper cut" which introduces Burroughs' concept of "coordinate points" mentioned in two of his cut-up novels<a href="https://write.as/leadworth/coordinate-points" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://write.as/leadworth/coordinate-points</a>for fun I'm testing out applying terms from <a href="https://nerdculture.de/tags/DoctorWho" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DoctorWho</a> to Burroughs' Nova concepts. A little for everyone.

Gary HallLatest title in Open Humanities Press's MEDIA : ART : WRITE : NOW series:Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence by Gary Hall<a href="http://www.openhumanitiespress.org/books/titles/masked-media/" rel="nofollow noopener noreferrer" translate="no" target="_blank">http://www.openhumanitiespress.org/books/titles/masked-media/</a>Open access (= it can be downloaded for free) If we want a socially and environmentally just future, do we need a radical new theory of change – or to radically change theory? It’s this question Gary Hall and his collaborators have been addressing for over 20 years with experimental projects such as OHP, Liquid and Living Books, and the Culture-Led Re-Commoning of Cities. Unsettling received ideas of the author and book, originality and copyright, real and artificial intelligence, these theorist-mediums test the ‘non-modernist-liberal’ modes of creating and sharing knowledge enabled by media technologies, from writing and print, through photography and video, to computers and GenAI.<a href="https://hcommons.social/tags/newmedia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#newmedia</a> <a href="https://hcommons.social/tags/academicpublishing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#academicpublishing</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/openai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#openai</a> <a href="https://hcommons.social/tags/genai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#genai</a> <a href="https://hcommons.social/tags/art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#art</a> <a href="https://hcommons.social/tags/posthumanism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#posthumanism</a> <a href="https://hcommons.social/tags/copyright" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#copyright</a>

Gary HallAnnouncing the latest title in Open Humanities Press's MEDIA : ART : WRITE : NOW series:Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence by Gary Hall.Available open access - to be downloaded for free:<a href="http://www.openhumanitiespress.org/books/titles/masked-media/" rel="nofollow noopener noreferrer" translate="no" target="_blank">http://www.openhumanitiespress.org/books/titles/masked-media/</a>If we want a socially and environmentally just future, do we need a radical new theory of change – or to radically change theory? Unsettling received ideas of the author and the book, originality and copyright, real and artificial intelligence, Masked Media tests ‘non-modernist-liberal’ modes of creating and sharing knowledge enabled by media technologies, from writing through to GenAI. Thinking outside the black box that renders Euro-Western knowledge-making practices invisible – keeping the human ontologically separate from the nonhuman – it shows there’s no such thing as the human, the nonhuman already being in(the)human. <a href="https://hcommons.social/tags/newmedia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#newmedia</a> <a href="https://hcommons.social/tags/academicpublishing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#academicpublishing</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/humanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#humanities</a> <a href="https://hcommons.social/tags/philosophy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#philosophy</a> <a href="https://hcommons.social/tags/ai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ai</a> <a href="https://hcommons.social/tags/openai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#openai</a> <a href="https://hcommons.social/tags/genai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#genai</a>

Exist Otherwise Has MovedChaos Will Ensue by Debbie Robson is a short <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a> piece in <a href="https://writing.exchange/tags/FrightenTheHorses" class="mention hashtag" rel="tag">#FrightenTheHorses</a> <a href="https://writing.exchange/tags/LitJournal" class="mention hashtag" rel="tag">#LitJournal</a>“If I ignore the cars outside and the decor of the café, it could be 1976…”<a href="https://frightenthehorses.com/chaos-will-ensue/" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com/chaos-will-ensue/</a>

surroundedpoetry<a href="https://mastodon.social/tags/nonbinary" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#nonbinary</a> <a href="https://mastodon.social/tags/poems" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#poems</a> <a href="https://mastodon.social/tags/art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#art</a> <a href="https://mastodon.social/tags/feminism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#feminism</a> <a href="https://mastodon.social/tags/experimentallife" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentallife</a> <a href="https://mastodon.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a>

Exist Otherwise Has Movedspeaking of <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a>, check out “Spandau: A Powerpoint" by Andrew Riddles in our sister journal, Frighten The Horses.“Today I will tell you something about common assumptions I have made previously about the name <a href="https://writing.exchange/tags/SpandauBallet" class="mention hashtag" rel="tag">#SpandauBallet</a>…”<a href="https://frightenthehorses.com/spandau-a-powerpoint/" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com/spandau-a-powerpoint/</a>

Exist Otherwise Has Movedis <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a> dead?“You snap out of it! VANESSA: - Oh, those just get me psychotic! VANESSA: - Park. BARRY: - I don't think these are cut flowers with no water. They'll never make it. BARRY: I might be. It all depends on what 0900 means. (The scene switches and Barry look up at the flower, shooting tubes that suck up the nectar to the point of weakness!”This was written by software. Better than that, it was written as <a href="https://writing.exchange/tags/AlgorithmicSabotage" class="mention hashtag" rel="tag">#AlgorithmicSabotage</a>. Check it out...<a href="https://poison.madhouse-project.org" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://poison.madhouse-project.org</a>

slowforward24 février 2023 à 08:52 (peut-être…) / thomas seto. 2023<a href="https://slowforward.net/wp-content/uploads/2025/01/24fev23_thomasseto5050412484586420129.jpg?w=768" rel="nofollow noopener noreferrer" target="_blank"></a>.<a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/art/" target="_blank">#art</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/arte/" target="_blank">#arte</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/asemic/" target="_blank">#asemic</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/concrete/" target="_blank">#concrete</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/experimental-writing/" target="_blank">#experimentalWriting</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/glitch/" target="_blank">#glitch</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/install/" target="_blank">#install</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/installation/" target="_blank">#installation</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/materiali-verbovisivi/" target="_blank">#materialiVerbovisivi</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/thomas-seto/" target="_blank">#ThomasSeto</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://slowforward.net/tag/vispo/" target="_blank">#vispo</a>

Exist Otherwise Has Movedwhat makes a work <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a>?i generally don't define it beyond, ‘i know when i read it’which is insufficient"I Am Sorry, But I Am No Longer Able to Speak About the Genocide” was submitted to <a href="https://writing.exchange/tags/FrightenTheHorses" class="mention hashtag" rel="tag">#FrightenTheHorses</a>, which is an experimental writing journali had a multitude of reactions, and i’m not certain it’s literaturebut it raised enough questions to make me want to publish itTHIS WORK CONTAINS GRAPHIC DEPICTIONS OF VIOLENCE AND SEXUAL HARM <a href="https://frightenthehorses.com/i-am-sorry-but-i-am-no-longer-able-to-speak-about-the-genocide/" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com/i-am-sorry-but-i-am-no-longer-able-to-speak-about-the-genocide/</a>

Exist Otherwise Has Movedin her submission of “hotspur: esperance ma comforte,” writer Carmen Aiken described it as “An excerpt from a hybrid book born from Shakespeare's Henriad and turned into queer pining.”<a href="https://frightenthehorses.com/hotspur-esperance-ma-comforte/" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com/hotspur-esperance-ma-comforte/</a><a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a> <a href="https://writing.exchange/tags/LitJournal" class="mention hashtag" rel="tag">#LitJournal</a> <a href="https://writing.exchange/tags/QueerWriting" class="mention hashtag" rel="tag">#QueerWriting</a>

Of Bookish ThingsWhat if Wednesday: ENOUGHMy kvetching lament about American politics, and my resolution to now, just, try to ease my anxiety, frustration, and anger, with creative pursuits, in whatever form strikes my mood. :bl04: So in the meantime, all I can say is, ‘From smelly seaweed soon says shortage sargassum’. :bl46: <a href="https://c.im/tags/Art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Art</a> <a href="https://c.im/tags/DigitalArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DigitalArt</a> <a href="https://c.im/tags/FediArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FediArt</a> <a href="https://c.im/tags/Dada" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Dada</a> <a href="https://c.im/tags/Dadaism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Dadaism</a> <a href="https://c.im/tags/Dadaist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Dadaist</a> <a href="https://c.im/tags/DadaistPoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DadaistPoetry</a> <a href="https://c.im/tags/DeletionPoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DeletionPoetry</a> <a href="https://c.im/tags/ErasurePoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ErasurePoetry</a> <a href="https://c.im/tags/FoundPoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FoundPoetry</a> <a href="https://c.im/tags/MassMedia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#MassMedia</a> <a href="https://c.im/tags/Poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Poetry</a> <a href="https://c.im/tags/WhatIfWednesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WhatIfWednesday</a> <a href="https://c.im/tags/ExperimentalWriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ExperimentalWriting</a> <a href="https://c.im/tags/AmericanPolitics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#AmericanPolitics</a> <a href="https://c.im/tags/AmericanDemocracy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#AmericanDemocracy</a> <a href="https://impliedspaces.wordpress.com/2024/11/27/what-if-wednesday-enough/" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://impliedspaces.wordpress.com/2024/11/27/what-if-wednesday-enough/</a>

Gary HallFor its creator Alexandra Elbakyan, the Sci-Hub pirate library is the most radical and successful take on open access to date. But Sci-Hub may not actually be about open access at all.See Robot Review of Books: #8 Sci-Hub vs Open Access for more.<a href="https://www.robotreviewofbooks.org/" rel="nofollow noopener noreferrer" target="_blank">https://www.robotreviewofbooks.org/</a><a href="https://hcommons.social/tags/ai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ai</a> <a href="https://hcommons.social/tags/artificialintelligence" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#artificialintelligence</a> <a href="https://hcommons.social/tags/genai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#genai</a> <a href="https://hcommons.social/tags/publishing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#publishing</a> <a href="https://hcommons.social/tags/video" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#video</a> <a href="https://hcommons.social/tags/robot" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#robot</a> <a href="https://hcommons.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://hcommons.social/tags/bookreview" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#bookreview</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/piracy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#piracy</a> <a href="https://hcommons.social/tags/scihub" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#scihub</a> <a href="https://hcommons.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#OpenAccess</a> <a href="https://hcommons.social/tags/oa" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#oa</a> <a href="https://hcommons.social/tags/elbakyan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#elbakyan</a>

Gary HallTwo more contributions have now been published in the Robot Review of Books:<a href="https://www.robotreviewofbooks.org/" rel="nofollow noopener noreferrer" target="_blank">https://www.robotreviewofbooks.org/</a>RRB #3 looks at K Allado-McDowell's pioneering experimental novel Amor Cringe and collection Pharmako-AIRRB #4 engages Matteo Pasquinelli's masterly The Eye of the Master: A Social History of Artificial Intelligence<a href="https://hcommons.social/tags/ai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ai</a> <a href="https://hcommons.social/tags/artificialintelligence" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#artificialintelligence</a> <a href="https://hcommons.social/tags/genai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#genai</a> <a href="https://hcommons.social/tags/theory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#theory</a> <a href="https://hcommons.social/tags/media" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#media</a> <a href="https://hcommons.social/tags/publishing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#publishing</a> <a href="https://hcommons.social/tags/video" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#video</a> <a href="https://hcommons.social/tags/robot" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#robot</a> <a href="https://hcommons.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://hcommons.social/tags/bookreview" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#bookreview</a> <a href="https://hcommons.social/tags/novel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#novel</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a>

(MEP) absurdistPST!a short untitled collection of absurd stories <a href="https://absurdproject.gumroad.com/l/ppprd" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://absurdproject.gumroad.com/l/ppprd</a><a href="https://autistics.life/tags/actuallyautistic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#actuallyautistic</a> <a href="https://autistics.life/tags/funny" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#funny</a> <a href="https://autistics.life/tags/weird" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#weird</a> <a href="https://autistics.life/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://autistics.life/tags/surrealism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#surrealism</a> <a href="https://autistics.life/tags/anarchist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#anarchist</a> <a href="https://autistics.life/tags/minimalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#minimalism</a> <a href="https://autistics.life/tags/FlashFiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FlashFiction</a> <a href="https://autistics.life/tags/microfiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#microfiction</a> <a href="https://autistics.life/tags/indieauthor" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#indieauthor</a>

Gary HallCelebrating the change of government by starting a new experimental novel. Favourite passage so far?'The tradition of the oppressed teaches us that the state of emergency in which we live is not the exception but the rule. We must attain to a conception of history that is in keeping with this insight. Then we shall clearly realize that it is our task to bring about a real state of emergency, and this will improve our position in the struggle against capitalism.'<a href="https://hcommons.social/tags/novel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#novel</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://hcommons.social/tags/capitalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#capitalism</a> <a href="https://hcommons.social/tags/classwar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#classwar</a> <a href="https://hcommons.social/tags/humanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#humanities</a> <a href="https://hcommons.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#literature</a> <a href="https://hcommons.social/tags/history" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#history</a>

Gary HallReread John Barth’s ‘The Literature of Exhaustion’ today, for obvious reasons. <a href="https://cdn.theatlantic.com/media/archives/1967/08/220-2/132589286.pdf" rel="nofollow noopener noreferrer" target="_blank">https://cdn.theatlantic.com/media/archives/1967/08/220-2/132589286.pdf</a>It’s a shame The Something Else Press isn’t still running. Or maybe it isn’t. Maybe a more interesting idea would be for, say, Open Humanities Press to publish the intermedia texts and artworks of The Something Else Press and to identify OHP as their original place of publication – just as Barth can ‘readily imagine Beckett’s next novel, for example, as Tom Jones,’ and he himself has ‘always aspired to write Burton’s version of The 1001 Nights’. <a href="https://hcommons.social/tags/Barth" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Barth</a> <a href="https://hcommons.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#literature</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimental</a> <a href="https://hcommons.social/tags/publishing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#publishing</a> <a href="https://hcommons.social/tags/novel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#novel</a> <a href="https://hcommons.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://hcommons.social/tags/art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#art</a>

Gary HallJust read Nathan Jones’s 'Experiential Literature?’ <a href="https://apria.artez.nl/experiential-literature" rel="nofollow noopener noreferrer" target="_blank">https://apria.artez.nl/experiential-literature</a>It explores the differences between texts authored/co-authored by GPT-3, such as K. Allado-McDowell’s Pharmako-AI, and human-authored experimental literature. Drawing on his concept of ‘glitch poetics’ (<a href="http://www.openhumanitiespress.org/books/titles/glitch-poetics/" rel="nofollow noopener noreferrer" target="_blank">http://www.openhumanitiespress.org/books/titles/glitch-poetics/</a>), Jones pays special attention to those experiments that arise from working with error in literature:‘One of the problems with the concept of glitch poetics is that there is never a right functioning literature with which we can measure literary disfunction. … I suggest that GPT-3’s boring, baseline normative writing behaviour makes it ideal for this purpose.’Certainly made me want to go back to reread Olga Ravn’s haunting experimental sci-fi novel The Employees.<a href="https://hcommons.social/tags/ai" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ai</a> <a href="https://hcommons.social/tags/AIGenerated" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#AIGenerated</a> <a href="https://hcommons.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#literature</a> <a href="https://hcommons.social/tags/experimentalwriting" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimentalwriting</a> <a href="https://hcommons.social/tags/experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#experimental</a> <a href="https://hcommons.social/tags/scifi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#scifi</a> <a href="https://hcommons.social/tags/poetics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#poetics</a> <a href="https://hcommons.social/tags/gpt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#gpt</a> <a href="https://hcommons.social/tags/gpt3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#gpt3</a>

Exist Otherwise Has Moved<a href="https://chirp.social/@xpt" class="u-url mention">@xpt</a>"and what do you want to die of this time?"new <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a> up at <a href="https://writing.exchange/tags/FrightenTheHorse" class="mention hashtag" rel="tag">#FrightenTheHorse</a> <a href="https://writing.exchange/tags/LitJournal" class="mention hashtag" rel="tag">#LitJournal</a> where <a href="https://writing.exchange/tags/submissions" class="mention hashtag" rel="tag">#submissions</a> are always open<a href="https://frightenthehorses.com/" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com/</a>

Exist Otherwise Has Moved<a href="https://writing.exchange/tags/submissions" class="mention hashtag" rel="tag">#submissions</a> are always open at this little lit mag for <a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a><a href="https://frightenthehorses.com" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://frightenthehorses.com</a>(no pay)

Nova LettersIt’s day 24 of my 19th <a href="https://writing.exchange/tags/NaNoWriMo" class="mention hashtag" rel="tag">#NaNoWriMo</a> and I’m right on track with 44415 words. The title of this year’s November Novel is “Dream the Endless Road”.I’m an experimental writer, so I write with constraints or use various procedures to break up habitual (boring) patterns and to keep the writing fresh.<a href="https://writing.exchange/tags/ExperimentalWriting" class="mention hashtag" rel="tag">#ExperimentalWriting</a>

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