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#audiencestudies

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Daniel Cavicchi<p>I am loving Smithsonian Open Access, especially its collections of audience images. Check out this 1865 wood-engraving from Winslow Homer: "Our Watering Places--Horse Racing at Saratoga." The excitement and dynamism of the audience in the grandstands, as the racers go by, is palpable, rendered with multidirectional contrasts of light, pattern, and bodily detail. <a href="https://historians.social/tags/AudienceStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AudienceStudies</span></a> <a href="https://historians.social/tags/AudienceHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AudienceHistory</span></a> <a href="https://historians.social/tags/HorseRacing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HorseRacing</span></a> <a href="https://historians.social/tags/SportsFans" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SportsFans</span></a> <a href="https://historians.social/tags/WinslowHomer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WinslowHomer</span></a> <a href="https://historians.social/tags/SmithsonianOpenAccess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SmithsonianOpenAccess</span></a></p>
Daniel Cavicchi<p>One of my favorite photos from my ongoing research historical audiences: a proto-audience of engineering students, assembled to test weight-bearing structures for stadiums and theaters. C. C. Schneider, “The Structural Design of Buildings.” Transactions of the American Society of Civil Engineers, Paper No. 997: 442. </p><p><a href="https://historians.social/tags/audiencehistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audiencehistory</span></a> <a href="https://historians.social/tags/crowds" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>crowds</span></a> <a href="https://historians.social/tags/audiencestudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audiencestudies</span></a> <a href="https://historians.social/tags/architecturalhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>architecturalhistory</span></a> <a href="https://historians.social/tags/stadiumarchitecture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>stadiumarchitecture</span></a> <a href="https://historians.social/tags/theaterarchitecture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>theaterarchitecture</span></a> </p><p>Also posted to <a href="https://www.instagram.com/ardentaudience/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="">instagram.com/ardentaudience/</span><span class="invisible"></span></a></p>
Daniel Cavicchi<p>Looking back today at Uruguay fans celebrating their win at the first World Cup final, on July 30, 1930. I am fascinated by images of historical audiences, many of which have been digitized. I started thinking about their iconographic elements in an essay for Participations journal a couple of years ago and am now posting them on Instagram at: <a href="https://www.instagram.com/ardentaudience/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="">instagram.com/ardentaudience/</span><span class="invisible"></span></a>. <a href="https://historians.social/tags/audiencehistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audiencehistory</span></a> <a href="https://historians.social/tags/audiencestudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audiencestudies</span></a> <a href="https://historians.social/tags/fanstudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fanstudies</span></a> <a href="https://historians.social/tags/sportsfans" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sportsfans</span></a> <a href="https://historians.social/tags/worldcup" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>worldcup</span></a></p>
Matteo Pangallo<p>I'm pleased to share that the volume I co-edited with Peter Kirwan, "Shakespeare's Audiences", is now available in paperback from Routledge. Bonus: it's currently on sale as well, for just $39.16! <a href="https://www.routledge.com/Shakespeares-Audiences/Pangallo-Kirwan/p/book/9780367715489" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">routledge.com/Shakespeares-Aud</span><span class="invisible">iences/Pangallo-Kirwan/p/book/9780367715489</span></a> <a href="https://mastodon.social/tags/Shakespeare" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Shakespeare</span></a> <a href="https://mastodon.social/tags/theater" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>theater</span></a> <a href="https://mastodon.social/tags/audiencestudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audiencestudies</span></a> <a href="https://mastodon.social/tags/performance" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>performance</span></a></p>
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