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#postmodern

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Coach Pāṇini ®<p>When the value of science, the humanities, and legal precedent all collapse, cuz nobody believes in anything anymore, we’ve gone fully medieval post-modern. </p><p>You NEVER go the full medieval post-modern.</p><p><a href="https://mastodon.world/tags/science" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>science</span></a> <a href="https://mastodon.world/tags/humanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>humanities</span></a> <a href="https://mastodon.world/tags/law" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>law</span></a> <a href="https://mastodon.world/tags/medieval" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>medieval</span></a> <a href="https://mastodon.world/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.world/tags/history" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>history</span></a> <a href="https://mastodon.world/tags/futurism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>futurism</span></a></p>
Coach Pāṇini ®<p>On <a href="https://mastodon.world/tags/PostModern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PostModern</span></a> <a href="https://mastodon.world/tags/comservatism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>comservatism</span></a> = reactionary</p><p>Shot: <a href="https://thephilosophicalsalon.com/post-modern-conservatism/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">thephilosophicalsalon.com/post</span><span class="invisible">-modern-conservatism/</span></a></p><p>Chaser: <a href="https://www.aaronrosspowell.com/p/the-rise-of-the-postmodern-right-w-matthew-mcmanus" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">aaronrosspowell.com/p/the-rise</span><span class="invisible">-of-the-postmodern-right-w-matthew-mcmanus</span></a></p>
Raymond Larabie<p>Postmodern geometry meets postal bureaucracy. 📦📐</p><p>ポストモダンな形状と郵便業務が交差する場所</p><p><a href="https://mastodon.social/tags/streetphotography" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>streetphotography</span></a> <a href="https://mastodon.social/tags/nagoya" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nagoya</span></a> <a href="https://mastodon.social/tags/japan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>japan</span></a> <a href="https://mastodon.social/tags/ricohgr" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ricohgr</span></a> <a href="https://mastodon.social/tags/ricohgr3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ricohgr3</span></a> <a href="https://mastodon.social/tags/griiix" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>griiix</span></a> <a href="https://mastodon.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Paul Houle<p>📖 The Timeless Magic of Italo Calvino’s Invisible Cities at 50</p><p><a href="https://lithub.com/the-timeless-magic-of-italo-calvinos-invisible-cities-at-50/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">lithub.com/the-timeless-magic-</span><span class="invisible">of-italo-calvinos-invisible-cities-at-50/</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fiction</span></a> <a href="https://mastodon.social/tags/media" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>media</span></a> <a href="https://mastodon.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Don Curren 🇨🇦🇺🇦<p>“As it says in the film of <a class="hashtag" href="https://bsky.app/search?q=%23TristramShandy" rel="nofollow noopener noreferrer" target="_blank">#TristramShandy</a>, it’s a <a class="hashtag" href="https://bsky.app/search?q=%23post-modern" rel="nofollow noopener noreferrer" target="_blank">#post-modern</a> <a class="hashtag" href="https://bsky.app/search?q=%23novel" rel="nofollow noopener noreferrer" target="_blank">#novel</a> “before there was any <a class="hashtag" href="https://bsky.app/search?q=%23modernism" rel="nofollow noopener noreferrer" target="_blank">#modernism</a> to be post about.” The <a class="hashtag" href="https://bsky.app/search?q=%23movie" rel="nofollow noopener noreferrer" target="_blank">#movie</a> is amazing, by the way. It’s directed by <a class="hashtag" href="https://bsky.app/search?q=%23Michael" rel="nofollow noopener noreferrer" target="_blank">#Michael</a> Winterbottom” <a href="https://fivebooks.com/best-books/18th-century-novels-sophie-gee/" rel="nofollow noopener noreferrer" target="_blank">fivebooks.com/best-books/1...</a> <a class="hashtag" href="https://bsky.app/search?q=%23books" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a class="hashtag" href="https://bsky.app/search?q=%23novels" rel="nofollow noopener noreferrer" target="_blank">#novels</a> <a class="hashtag" href="https://bsky.app/search?q=%2318thCenturyNovels" rel="nofollow noopener noreferrer" target="_blank">#18thCenturyNovels</a><br><br><a href="https://fivebooks.com/best-books/18th-century-novels-sophie-gee/" rel="nofollow noopener noreferrer" target="_blank">The Best 18th-Century Novels</a></p>
Hamish Campbell<p><strong>Signal-to-noise is a hard conversation</strong></p> Signal-to-noise is a hard conversation to have. In our #postmodern world, the very idea of common agreement on what constitutes signal or noise feels elusive, even when it’s often obvious to the community. The undermining of shared narratives fractured our sense of collective reality. In the absence of common ground, every perspective risks becoming its own echo chamber, amplifying what it values as signal while dismissing conflicting views as noise. This dynamic plays out in countless […] <p><a href="https://hamishcampbell.com/signal-to-noise-is-a-hard-conversation/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">hamishcampbell.com/signal-to-n</span><span class="invisible">oise-is-a-hard-conversation/</span></a></p>
Toni Aittoniemi<p><span class="h-card" translate="no"><a href="https://mastodon.social/@jeffjarvis" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>jeffjarvis</span></a></span> Yes. This is the <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> nazism: Just claim that you are not a nazi while being a nazi. What’s real, anyway?</p>
Assoc for Scottish Literature<p>“Illuminated by lightning flashes of descriptive brilliance, Brown’s prose evokes melodrama, Greek tragedy and postmodern alienation…”</p><p>You can download a free ebook edition of THE HOUSE WITH THE GREEN SHUTTERS from <span class="h-card" translate="no"><a href="https://mastodon.social/@gutenberg_org" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>gutenberg_org</span></a></span> <br> <br>5/5</p><p><a href="https://www.gutenberg.org/ebooks/25876" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/25876</span><span class="invisible"></span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>Location &amp; dis-location in George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS</p><p>Benjamine Toussaint, Études anglaises 70/4, 2017</p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/litstudies" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>litstudies</span></a></span> </p><p>4/5</p><p><a href="https://shs.cairn.info/article/E_ETAN_704_0429?lang=en&amp;ID_ARTICLE=E_ETAN_704_0429" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">shs.cairn.info/article/E_ETAN_</span><span class="invisible">704_0429?lang=en&amp;ID_ARTICLE=E_ETAN_704_0429</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>“To pick up a pen is to place oneself outside the community in the act of being self-conscious about it. As Burns discovered, it is not really possible to write about community and remain uncompromised within it.”</p><p>—read Dorothy McMillan’s essay “Rural Realism”, on George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS</p><p>3/5</p><p><a href="https://www.thebottleimp.org.uk/2022/05/rural-realism/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">thebottleimp.org.uk/2022/05/ru</span><span class="invisible">ral-realism/</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>“I remember the first novel in English I read through was a Scottish novel called THE HOUSE WITH THE GREEN SHUTTERS. […] When I read that, I wanted to be Scotch.”</p><p>—Jorge Luis Borges, interviewed by the Paris Review in July 1966 </p><p>2/5</p><p><a href="https://www.theparisreview.org/interviews/4331/the-art-of-fiction-no-39-jorge-luis-borges" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theparisreview.org/interviews/</span><span class="invisible">4331/the-art-of-fiction-no-39-jorge-luis-borges</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.scot/tags/Borges" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Borges</span></a> <a href="https://mastodon.scot/tags/JoseLuisBorges" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JoseLuisBorges</span></a></p>
Assoc for Scottish Literature<p>George Douglas Brown (1869–1902) was born <a href="https://mastodon.scot/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a>, 26 Jan – best known for his 1901 novel THE HOUSE WITH THE GREEN SHUTTERS</p><p>“…the TRAINSPOTTING of its day… an angry young man’s response to the misrepresentation of contemporary Scottish life and the industrial and spiritual changes taking place”</p><p>A 🎂 🧵</p><p>1/5</p><p><a href="https://list.co.uk/news/39535/george-douglas-brown-the-house-with-the-green-shutters-1901" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">list.co.uk/news/39535/george-d</span><span class="invisible">ouglas-brown-the-house-with-the-green-shutters-1901</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Toni Aittoniemi<p>Remember folks, this is not the fascism of your great grandfather, this <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.green/tags/fascism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fascism</span></a></p><p>Denial of doing fascism while letting you know and rubbing it in your face is integral. Trolling and manufacturing reality in a way which is designed to trap you while trying to dispute their camoflage is by design.</p><p>Projection of power &amp; total domination of the script has not changed though. Neither has the victimhood rhetoric.</p><p>This is a watershed moment. The apologists are clear, like in the 1930’s.</p>
Toni Aittoniemi<p><span class="h-card" translate="no"><a href="https://beige.party/@SnowshadowII" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>SnowshadowII</span></a></span> A liar need not be considerate of the truth</p><p>It’s going to the same direction as Trumpian politics: You know it’s not real, but it’s so enjoyably pushing all the buttons you want to be pushed (racism, homophobia, whatever your poison), and because ”it’s not real” it’s not harmful those buttons get pushed, so you go along and even pay money for it</p><p>The <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> nightmare society is here: First it’s all a WWF wrestling show, eveywhere. But you can’t tell where it ends!</p>
Toni Aittoniemi<p>One word <a href="https://mastodon.green/tags/kayfabe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kayfabe</span></a> : Acknowledging the staged, scripted nature of (US) professional <a href="https://mastodon.green/tags/wrestling" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>wrestling</span></a></p><p>This is what unlocks the Trump presidencies: His relationship with the audience that acknowledges kayfabe, and are now enjoying the show in <a href="https://mastodon.green/tags/uspolitics" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>uspolitics</span></a></p><p>This <a href="https://mastodon.green/tags/audience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audience</span></a> is not moved by ”Trump is a threat” or ”Trump is evil”, that just means the kayfabe is working</p><p>The script can be flipped, realities rolled-in at any time to become a part of it. The most <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> show </p><p>1/2</p><p><a href="https://open.spotify.com/episode/5StRHXG5wDbUImRVIL4HPg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">open.spotify.com/episode/5StRH</span><span class="invisible">XG5wDbUImRVIL4HPg</span></a></p>
witchescauldron<p>You do realise that ideologies are not a hard object, they are a way of understanding the world. So when you say you don't believe in ideology, then you are saying you don't believe in understanding the world. This is the normal <a href="https://kolektiva.social/tags/mainstreaming" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mainstreaming</span></a> <a href="https://kolektiva.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> head down worshipping of the <a href="https://kolektiva.social/tags/deathcult" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>deathcult</span></a>, in no way radical or alternative, rather the mess we need to compost <a href="https://kolektiva.social/tags/KISS" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>KISS</span></a></p><p>Do you have a shovel <a href="https://kolektiva.social/tags/OMN" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OMN</span></a></p>
typeslut 4.0.1 :vt1: :vt2:<p>protected mode is a social construct too. a true proletarian uses Virtual 8086 mode EXCLUSIVELY</p><p>what, are you just gonna WASTE the bios??? that's unethical, unsustainable, and revisionist. you gotta use EVERY👏PART👏OF👏THE👏BIOS👏</p><p>STOP REVISING CPUS. all oppressions stem from the abandonment of <a href="https://types.pl/tags/BIOS" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BIOS</span></a> <a href="https://types.pl/tags/13h" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>13h</span></a> <a href="https://types.pl/tags/AH" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AH</span></a> #3, and NO YOU CAN'T JUST USE LBA ADDRESSING. lba addressing is <a href="https://types.pl/tags/Postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Postmodern</span></a> <a href="https://types.pl/tags/Revisionist" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Revisionist</span></a> <a href="https://types.pl/tags/AntiRevolutionary" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AntiRevolutionary</span></a> <a href="https://types.pl/tags/Poopaganda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Poopaganda</span></a></p>
Toni Aittoniemi<p>Why the western world is falling for lies right now, is because we don’t know our <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> theory.</p><p>If we did, we would have understood politics is about narrative, not facts.</p><p>We would have understood our own privileged position thinking politics is about that.</p><p>We would have understood limited choices of the poor or poorly educated make them appear stupid from the point of view of the more privileged.</p><p>This is also woke. Apply it to yourself. The <a href="https://mastodon.green/tags/altright" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>altright</span></a> sure does!</p>
Yogi Jaeger<p>When a postmodern right meets a postmodern left, everything falls apart. This is why we urgently need <a href="https://spore.social/tags/metamodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>metamodern</span></a> reconstruction after <a href="https://spore.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> deconstruction.</p><p><a href="https://jacobin.com/2024/10/the-right-without-wrong" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">jacobin.com/2024/10/the-right-</span><span class="invisible">without-wrong</span></a></p>
Assoc for Scottish Literature<p>“For the uninitiated: she’s a literary cult figure, a rising star of British post-World War II poetry and criticism whose career came to an abrupt halt when she died suddenly in 1975, at age 27… Today, Forrest-Thomson is more relevant than ever”</p><p>2/3</p><p><a href="https://www.poetryfoundation.org/articles/142033/the-rise-of-veronica-forrest-thomson" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">poetryfoundation.org/articles/</span><span class="invisible">142033/the-rise-of-veronica-forrest-thomson</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a> <a href="https://mastodon.scot/tags/20thCentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thCentury</span></a> <a href="https://mastodon.scot/tags/WomenWriters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WomenWriters</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
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